Sanjuro (1962) Toshirô Mifune: Sanjûrô Tsubaki, The Samurai. directors in Italy, due in no small part to the ending of this shot. A thanks was planned for Sanjuro as well, but he’s nowhere to be seen, which is something of a relief to the Chamberlain even as the young samurai rush out to find Sanjuro. Up to this point, That blood fountain became iconic almost immediately, and Its story is one of adventure, and cunning smarts, as the old samurai Sanjuro leads 9 young heroes on a mission of saving a town from a dictator. When Sanjûrô has to kill about a dozen of Kikui's men and then smacks three of the young samurai for forcing him to kill so many, Toshirô Mifune slapped the three young actors for real. At least that’s the impression based on the setup. An ironic end to a film that often that celebrates Sanjuro’s skill with the sword. Hanbei draws his sword, but the faster Sanjuro kills him. Sanjuro is an amazing piece of cinematography. And, this time, Kurosawa comes up with a really great visual for selling Sanjuro’s story by leaving him to be discovered in a genuinely embarrassing condition. In the final scene of the film, the young henchman Muroto However, there’s no shame going out on a film as good and enjoyable as Sanjuro. What follows are a series of feints and where Sanjuro starts to run out of fresh ideas. It seems like a perfect plan, except that the description of the temple is off which puts Sanjuro in jeopardy as soon as he steps through the gates. Muroto sets up a trap which the young samurai are eager to rush into, but which Sanjuro keeps them out of. Sanjuro is the sequel. The two men stare at each other for a long moment, appearing Sanjuro is generally a romp, and more often than not the Chamberlain’s wife is an object of humor, but unlike Yojimbo, there is a good side to this conflict and Kurosawa allows that side to express its ideals and even temper Sanjuro’s cynicism. But, it’s clear that they’re all a bunch of idealists that believe wholeheartedly in making a difference and have a romantic view of the samurai life. straight line from this shot to such diverse modern masterworks as To an extent, anyways. thoughtful art, more in harmony than in 1962’s. brilliant young henchman of the Superintendent who is in many ways a dark The Samurai is just a bit faster, of course, and he slashes r/loltyler1. The pairing of Kurosawa and Mifune was still strong as Kurosawa was preparing his next film. Continuing a playful mood, Kurosawa has the samurai hole up right next to the superintendent’s chief ally Kurofuji (Takashi Shimura), with the belief that the last place that their enemies will look is right under their own nose. Tatsuya Nakadai was Mifune’s chief nemesis in Yojimbo, and obviously Kurosawa wanted to repeat that success. Muroto welcomes Sanjuro with open arms. As they poke their heads out, it’s an image that George Lucas would re-appropriate for Star Wars and the smugglers compartments of the Millennium Falcon. Katanas instead of guns, but basically the same. The duel brings no joy to Sanjuro who acknowledges that he cut down someone just like himself. But, in the character of the Chamberlain’s wife, he allows the samurai ideals of honor tempered with mercy have their day. Yojimbo is the original "A Fist Full of Dollars". The action is sudden, and violent with an impressive gush of blood as Muroto is dispatched, with a quick montage of reaction shots from all the spectators. And the ronin wastes no time in letting his displeasure be known even as the most cursory of searches is performed. Much of it is a long take with a carefully composed composition as we … And it doesn’t take long for the samurai to find Sanjuro on the road out of town as he and Muroto prepare to square off in a duel. A duel that Sanjuro thinks is foolish and unnecessary, but which Muroto insists on since Sanjuro abused his trust. Muroto’s first act, after sending his troops elsewhere, is to offer Sanjuro a job. He didn't stay in his sheath. A duel that Sanjuro thinks is foolish and unnecessary, but which Muroto insists on since Sanjuro abused his trust. in every action or horror film with nowhere near the same effect. Not taking no for an answer, Iiro reports that he turned to the Superintendent Kikui (Masao Shimizu) for help and after being surprised by the uncle’s reaction the Superintendent agreed to cooperate. Sanjuro. The Criterion Collection is a continuing series of important classic and contemporary films on home video. card classic compact. Moruto is no sadist, but a pragmatic leader in his own right who recognizes a kindred spirit in Sanjuro. The Superintendent even goes so far as to suggest Iiro should gather all his followers immediately, which brings us to present time and efficiently dispenses with most of the necessary exposition. The other young samurai aren’t really given much characterization other than the hothead of the group. Posts about Sanjuro. So, instead of trusting, Iiro and the hotheaded samurai decide to follow and spy on Sanjuro. But, Sanjuro has already picked sides. Along the way the Samurai becomes more and more disillusioned Which draws the attention of the leader in the field Hanbei Muroto (Tatsuya Nakadai),  Sanjuro’s opposite number and chief opponent in a battle of wits. At this point, chance plays a role as Chidori and the Chamberlain’s wife discover a note in the stream which reveals that the Chamberlain is being held next door. Along with their release of Yojimbo Criterion presents Akira Kurosawa’s sequel Sanjuro in the aspect ratio of 2.35:1 on this dual-layer Blu-ray disc. Again it’s a contrast between the idealized world of these young samurai and Sanjuro’s pure pragmatism. But, rather, it’s a film that acknowledges that there’s really no place in society for someone like our favorite ronin. Topic on Reddit. And, for once, Sanjuro has no response. There is a good point to be made here about too much of a In a bit of a repeat of Yojimbo, Sanjuro has hidden the young samurai under the floor boards of the temple. Featuring an excellent supporting cast and typically brilliant photography, the film is engaging from the bold opening scene to the tense, bloody final duel between Muroto and Sanjuro. Except for the fact that they both spot the young samurai spying on them. Already the film establishes a “how are they going to get out of this one” sense of adventure. He is so convincing that Hanbei (Tatsuya Nakadai) swallows his line and becomes the unwitting accomplice of … It turns out that he was sleeping in the back room of the temple and overheard their discussion. Masterless and disgraced, Muroto challenges the Samurai to a duel. I’ll have to warn the potential viewers about the bloody final duel which occurs between Mifune and Tatsuya Nakadai, who just like in Yojimbo reprises the role of the main villain (this time much less flamboyant and without a firearm). It’s easy to imagine the continuing adventures of Toshiro Mifune in the role, but it would turn out to be the last pairing of Kurosawa and Mifune in a samurai adventure film. Again, the Superintendent and Hanbei Muroto are ahead of them as they arrive at the Chamberlain’s house in time to discover that the Superintendent’s troops are already there. Feel free to insert your own Human Centipede joke here, who knows, Sanjuro might actually have been an inspiration considering there’s a Japanese part in Tom Six’s film. That embarrassment saves Sanjuro’s cover, but a failure that spectacular can’t be ignored as Sanjuro’s plan to infiltrate the Superintendent’s group comes to a premature and futile end which accomplished nothing but the unnecessary deaths of some guards. Chat with us here: https://discord.gg/ZSbP4ZC. In the final scene of the film, the young henchman Muroto confronts the Samurai at a dusty crossroads as he is trying to leave town. A crafty samurai helps a young man and his fellow clansmen save his uncle, who has been framed and imprisoned by a corrupt superintendent. Sanjuro is both attracted to the idea of being part of society again and repelled by it, although he does try to follow the Chamberlain’s wife edict that he should restrict his killing. As seen in the film, the slaps both surprised the actors and knocked them backwards. And, in a burst of action, Sanjuro kills two of the guards, while the remaining samurai capture one for questioning, and have spirited the women to the local barn. Directed by Akira Kurosawa. And it’s left to Sanjuro to take charge, which will define the remainder of the movie as he uses his head to get out of the tight spot. In an irony, that’s the very same place that the superintendent is holding the chamberlain, with a wall, a little stream, and flowering camellia trees separating and connecting the two sides. Ten samurai is clearly an unwieldy number. What can go wrong with that plan? r/criterion. The lead samurai, Iiro Izaka (Yozo Kayama), breathlessly reports on how his goal of reporting corruption in the clan was apparently hushed up by his uncle Mutsuta (Yunosuke Ito), the Chamberlain of the clan. Kurosawa, ultimately took over the job of directing the film, which he never intended during development of the script, while preproduction work was underway on High and Low. Designed by Elegant Themes | Powered by WordPress. It helps that Nakadai is playing a completely different character in looks and attitude. In the original film, a rōnin arrives in a small town trapped between competing crime lords. their swords. Before departing for the road again, Sanjuro acknowledges that indeed the best swords remain sheathed and instructs the young samurai to remember that. Some brainstorming and the group concocts a plan where Sanjuro will report that he discovered the young samurai at a temple out of town, and when the guards leave to investigate, they’ll swoop in and rescue the Chamberlain after getting the signal of a bunch of camellia flowers dumped in the stream. their entire careers around creating gorier and gorier effects. Samurai movies show a distinct Western influence. Join. 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